Download Ciabatta Font Family From Sudtipos

Ciabatta is a luscious font made especially for packaging. Thanks to 5 weights, it can be used for all eventualities; powerful in headlines or as lettering, yet very legible in small texts. Its shapes are slightly narrow and based on classical italics but Ciabatta includes alternates with a double-storey ‘a’ and ‘g’ which offer a more formal appearance upright.

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Download Asgaard Font Family From Vozzy

Download Asgaard Font Family From Vozzy Introducing a vintage label font named Asgaard. This strong typeface is perfect for lettering on vintage style posters, t-shirts, greeting cards, logos, and more. All capital letters (including multilingual) have alternates. You can see all available characters and styles in the previews. Download Asgaard Font Family From Vozzy Download Now View Gallery

Download VP Pixel Pro Font Family From VP Type

Download VP Pixel Pro Font Family From VP Type VP Pixel Pro is designed to be the definitive standard for a pixel typeface. It combines a vast character set with advanced typographic features. This fresh take on the retro grid streamlines the pixel style for modern high-resolution screens. With over a thousand characters, it guarantees full support for over 200 languages, ensuring your work can be localised effortlessly in the future and translated into virtually any language that uses the Latin alphabet. All fonts in this family include upper case, lower case, and small capitals letters (as well as the Greek alphabet, multiple sets of numerals, a large set of punctuation marks, and other symbols). Many of today’s OpenType features are included, such as multiple vertical positions, diagonal fractional forms, a slashed zero, old-style and lining figures, contextual alternates, and small capitals. Download VP Pixel Pro Font Family ...

Download Varidox Font Family From insigne

Download Varidox Font Family From insigne Varidox, a variable typeface design, allows users to connect with specific design combinations with slightly varied differences in style. These variations in design enable the user to reach a wider scope of audiences. As the name suggests, Varidox is a paradox of sorts--that is, a combination of two disparate forms with two major driving influences. In the case of type design, the conflict lies in the age-old conundrum of artistic expression versus marketplace demand. Should the focus center primarily on functionality for the customer or err on the side of advancing creativity? If both are required, where does the proper balance lie? Viewed as an art, type design selections are often guided by the pulse of the industry, usually emphasizing unique and contemporary shapes. Critics are often leading indicators of where the marketplace will move. Currently, many design mavens have an eye favoring rever...

Arina Mishina

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