Skip to main content

Download Halvar Font Family From TypeMates

Download Halvar Font Family From TypeMates
Download Halvar Font Family From TypeMates Download Halvar Font Family From TypeMates Download Halvar Font Family From TypeMates



Halvar, a German engineered type system that extends to extremes. With bulky proportions and constructed forms, Halvar is a pragmatic grotesk with the raw charm of an engineer. A type system ready to explore, Halvar has 81 styles, wide to condensed, hairline to black, roman to oblique and then to superslanted, structured into three subfamilies: the wide Breitschrift, regular Mittelschrift and condensed Engschrift. Designed to be as adaptable in application as it is steady in appearance, this spectrum makes Halvar as ideal for complex corporate identity solutions as it is for particular ones. For industrial duties, a stencil display version is also available. Halvar is not only built to be flexible, but technical. Apart from the SuperSlanted, all its font styles are multiplexed—a word in one Halvar’s roman or italic widths will occupy the same space regardless of weight—allowing for fine work in annual reports, interface design, or anywhere space is at a premium and the demands of reflow, rollover and animation need to be considered. With a character set that includes extended Latin, Greek and Cyrillic and supports more than 190 languages, Halvar’s styles have German names and multilingual ambitions. Perfect for cross-market branding. To ensure TypeMates’ usual high standards throughout all glyphs, the Cyrillic and Greek letterforms were developed in consultation with native readers. Needless to say, a font system this comprehensive is shipped with tabular figures, circled highlights, superscripts, as well as fractions. Alternate characters let Halvar toggle between two additional stylistic sets: one plain and functional, another distinct and digital. With manual TrueType hinting and special attention to text styles, a stable x-height, contemporary proportions and a robust design, Halvar is optimised for screen performance and ready to meet any challenge in user interface typography.


Download Halvar Font Family From TypeMates Download Now View Gallery


Popular posts from this blog

Download Asgaard Font Family From Vozzy

Download Asgaard Font Family From Vozzy Introducing a vintage label font named Asgaard. This strong typeface is perfect for lettering on vintage style posters, t-shirts, greeting cards, logos, and more. All capital letters (including multilingual) have alternates. You can see all available characters and styles in the previews. Download Asgaard Font Family From Vozzy Download Now View Gallery

Download VP Pixel Pro Font Family From VP Type

Download VP Pixel Pro Font Family From VP Type VP Pixel Pro is designed to be the definitive standard for a pixel typeface. It combines a vast character set with advanced typographic features. This fresh take on the retro grid streamlines the pixel style for modern high-resolution screens. With over a thousand characters, it guarantees full support for over 200 languages, ensuring your work can be localised effortlessly in the future and translated into virtually any language that uses the Latin alphabet. All fonts in this family include upper case, lower case, and small capitals letters (as well as the Greek alphabet, multiple sets of numerals, a large set of punctuation marks, and other symbols). Many of today’s OpenType features are included, such as multiple vertical positions, diagonal fractional forms, a slashed zero, old-style and lining figures, contextual alternates, and small capitals. Download VP Pixel Pro Font Family ...

Download Varidox Font Family From insigne

Download Varidox Font Family From insigne Varidox, a variable typeface design, allows users to connect with specific design combinations with slightly varied differences in style. These variations in design enable the user to reach a wider scope of audiences. As the name suggests, Varidox is a paradox of sorts--that is, a combination of two disparate forms with two major driving influences. In the case of type design, the conflict lies in the age-old conundrum of artistic expression versus marketplace demand. Should the focus center primarily on functionality for the customer or err on the side of advancing creativity? If both are required, where does the proper balance lie? Viewed as an art, type design selections are often guided by the pulse of the industry, usually emphasizing unique and contemporary shapes. Critics are often leading indicators of where the marketplace will move. Currently, many design mavens have an eye favoring rever...